Honest police officer Durai Singam locks horns with big-time extortionist Mayil Vaaganam. A genetic engineering student tries to bring back the skills of a legend of the past and use his skills to save India from a deadly virus attack by China.Ī extremely arrogant Surya to Bhoomika is the exact opposite with Jyo and there is no reason given for the sudden change in character. She was later replaced by Bhoomika Chawla whom immediately accepted the offer when she heard the script. Just after learning that it was inspired from Memento I decided of watching it, but neglected again and again. Then one day Jyo discovers Surya’s diary to find his failed college love story. Pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed. Suriya has untagged his star status for a film that gives him a bonus as an actor.Each title is ranked according to its share of pageviews among the items displayed. To put together an ambitious setup such as this deserves applause. He has to be patted on his back and front for believing in Vikram’s script. Suriya, on the other hand, shines as a producer. Songs shot in foreign lands are not loo breaks for the audience but they prove that the film has been made for the folks of the front bench as much as it has been made for an audience that’s been denied the pleasure of watching intelligent movies that give a thumbs-up to the logics of aesthetics. It’s the underlining work of a performer. In a poignant interaction she brings a mixture of grief and relief to her face. This idea can be, in fact, developed for a prequel or a sequel. Although, in hindsight, I think more focus on Athreya and Sethu’s relationship would have had more meat. Samantha’s supporting role is not a deterrent even though it has no impact on the larger scheme of things. Along with the tips, you may need a time-traveling device, too.
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The romantic track provides laughs and general knowledge on how to get a girl in ten days. The marks of a good team pulling it off are present from the word go.
AR Rahman’s ear-pulling score for the antagonist is supported by the visuals offered through the lenses of Tirru’s camera.
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The production team has made sure that the money spent on making the movie is distributed rationally between the talents and the moving images. He’s soon joined by his pretty wife Priya (Nithya) and a baby in what looks like a well-designed laboratory. Mithran (Ajay) is the sole apple of his eye. His eyes hold evilness whenever he looks at his family members or the rest of the world. Athreya’s bad luck dumps him in a wheelchair. It’s one of the primary arguments of a filmic villain. He just wants to be the King of the world. He’s not going to use it to reverse man made destructions or for the betterment of mankind. This is enough to state that he’s a dark-hearted bully.
He’s after his brother for a watch that’ll control the movements of time.
When heavyweights like Girish Karnad and Nithya Menen pop up from nowhere and fade away within seconds, the attention is immediately shifted to the next scene without any loss of wonderment.Īthreya (the evil twin of Sethuraman) speaks as if he’s wearing headphones on full-volume all the time. Or for that matter, Samantha is sidelined in the middle of a crucial scene, and that’s when I began to realize that there are only characters in the movie. Sathyan, who plays Mani’s (Suriya) friend, is not seen after a point. When Vikram put his pen to paper for ‘Manam’, he was interested in the camaraderie the Akkineni family shared on-screen.